{"title":"Book","description":"","products":[{"product_id":"extra-extra","title":"Extra Extra","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eDavid Schiesser \"Extra Extra\"\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe drawings were made in 2016 and 2017 while traveling. They are reproduced in their original size. The small format (DIN A5) allows David Schiesser to draw inconspicuously without being noticed by his subjects, yet providing enough space to draw one or two figures. The sketches are intimate insights into obscure, funny, erotic, banal, everyday situations that the artist often captures in a scenical way.\u003c\/p\u003e\n\u003cp\u003eDavid Schiesser \"Extra Extra\" 6\" x 8.25\", 352 Pages, Present Books 2018\u003c\/p\u003e\n\u003cp\u003eImages and caption courtesy of Present Books. \u003cbr\u003e\u003c\/p\u003e","brand":"David Schiesser","offers":[{"title":"Default Title","offer_id":32334100430902,"sku":"","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0175\/3484\/4982\/products\/DS_ExtraExtra.jpg?v=1591383692"},{"product_id":"carchive-bundle","title":"Carchive Bundle","description":"\u003cp\u003e1x \u003ca href=\"https:\/\/www.fiskprojects.com\/store\/product\/Z2lkOi8vc2hvcGlmeS9Qcm9kdWN0LzY2NDQzNTEwNzQzNTg%3D\"\u003eCarchive Book\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e1x \u003ca href=\"https:\/\/www.fiskprojects.com\/store\/product\/Z2lkOi8vc2hvcGlmeS9Qcm9kdWN0LzY2NDQzODIxMDU2NTQ%3D\"\u003eCarchive Air Freshener \u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAll artwork © 2021 Annu Kilpeläinen \u003c\/p\u003e\n\u003cp\u003eDesign by FISK \u003c\/p\u003e\n\u003cp\u003ePublished by NOOR Editions \u003c\/p\u003e\n\u003cp\u003eBook printed by Brown in Portland, Oregon\u003c\/p\u003e\n\u003cp\u003eAir Freshener produced by \u003ca href=\"https:\/\/customcomet.com\/\"\u003eCustom Comet\u003c\/a\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Annu Kilpeläinen","offers":[{"title":"Default Title","offer_id":39758073135158,"sku":"","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0175\/3484\/4982\/products\/FISK21_Carchive_Bundle.jpg?v=1636080798"},{"product_id":"ed-fella-documents","title":"Ed Fella Documents","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e256 pages, perfect bound, 9x12\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eJointly published by Fotokino and Festival International de l'affiche et du graphisme de Chaumont. \u2028\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eTexts by Vincent Tuset-Anrès (exhibition curator, Fotokino), Renaud Faroux, Catherine Guiral and Randy Nakamura.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cspan\u003eGraphic design: Jérôme Saint-Loubert Bié, with Cécile Binjamin.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAs part of Laterna magica 2011, Fotokino and the International Poster and Graphic Design Festival of Chaumont present an original exhibition of the work of American designer\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/edfella.com\/\" data-mce-fragment=\"1\" data-mce-href=\"http:\/\/edfella.com\/\" target=\"_blank\"\u003eEd Fella\u003c\/a\u003e. Over fifty years of landmark work on typography and on the essence of the American visual landscape.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThrough thousands of drawings, Polaroids, collages, posters… Ed Fella has been exploring American typography and landscape since the early 1960s, and has invented a genre whose singularity has earned him international recognition. His work is a permanent dialogue between art and design, and is part of an intricate lineage that starts with Art Nouveau, goes through Dada, surrealism, abstract expressionism, pop art, beat generation, psychedelic graphics… In Ed Fella’s work, these influences intersect, add up and mirror a multiplicity of possible meanings, readings and interpretations of each of his works. His work is made layer by layer, and then read, layer by layer.\u003c\/p\u003e","brand":"Ed Fella","offers":[{"title":"Default Title","offer_id":40266082943030,"sku":"","price":75.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0175\/3484\/4982\/products\/FISK22_EdFella_Laydown_9.jpg?v=1660349388"},{"product_id":"deem-journal-issue-3","title":"Deem Journal Issue 3","description":"\u003cp\u003eFrom the publisher:\u003c\/p\u003e\n\u003cp\u003eFor Issue Three, “Envisioning Equity,” we bring together a range of perspectives on designing for difference.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIssue Three is led by a conversation between the Black Reconstruction Collective and Deem co-founders Nu Goteh and Alice Grandoit-Šutka. This dialogue of twelve distinct voices explores how we can best understand equity as a complex design challenge that recognizes and accounts for disadvantage, damage, and liability. With the architects, artists, designers, and scholars of the BRC, we consider the meaning of reconstruction, the relationship between equity and reparation, and the role of the institution in our visions for the future.\u003c\/p\u003e\n\u003cp\u003eThe contributors to our third issue include:\u003cbr\u003e\u003cbr\u003eAlexis Aceves Garcia, Alice Grandoit-Šutka, Althea James, Andrew Cole, Arianna Gil, The Black Reconstruction Collective, Cuidando a las que nos cuidan, Danielle Brathwaite-Shirley, Designing Motherhood, Elleza Kelley, Isabel Flower, Jezz Chung, Julia Lucey, Julian Rose, Mia Birdsong, Monica Uszerowicz, New Red Order, Nu Goteh, Rob Lewis, Robin D.G. Kelley, Se Young Au, Silvia Federici, Taeyoon Choi, Yewande Pearse\u003cbr\u003e\u003cbr\u003eDeem is printed by Hemlock Printers in Canada on FSC Certified 130lb Sterling Premium Gloss White Cover FSC Mix Paper \u0026amp; 70lb Lynx Opaque Smooth Text FSC Mixed Paper.\u003cbr\u003e\u003cbr\u003eTypeset in Roobert and ITC Cheltenham.\u003c\/p\u003e","brand":"Deem","offers":[{"title":"Default Title","offer_id":40266290724918,"sku":"","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0175\/3484\/4982\/products\/Magazines22_Deem03_1_4x5_6a580b01-1313-4bc4-b47e-ab90ff2a654a.jpg?v=1674161222"},{"product_id":"two-dimensional-man","title":"Two-Dimensional Man","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eTwo-Dimensional Man\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e, Paul Sahre shares deeply revealing stories that serve as the unlikely inspiration behind his extraordinary thirty-year design career. Sahre explores his mostly vain attempts to escape his \"suburban Addams Family\" upbringing and the death of his elephant-trainer brother. He also wrestles with the cosmic implications involved in operating a scanner, explains the disappearance of ice machines, analyzes a disastrous meeting with Steely Dan, and laments the typos, sunsets, and poor color choices that have shaped his work and point of view. \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eTwo-Dimensional Man\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003eportrays the designer's life as one of constant questioning, inventing, failing, dreaming, and ultimately making.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eImprint: Abrams Press\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTrim Size: 6 1⁄2 x 9\u003cbr\u003eISBN: 9781419724152\u003cbr\u003ePage Count: 320\u003cbr\u003eIllustrations: 100 color illustrations\u003c\/p\u003e","brand":"Paul Sahre","offers":[{"title":"Default Title","offer_id":40462080049206,"sku":"","price":37.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0175\/3484\/4982\/files\/TwoDimensionalMan_01.jpg?v=1702678578"},{"product_id":"idea-magazine-no-399","title":"Idea Magazine no.399","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe theme for Issue No. 399 is on the Design Field, Today: Thought and Practice of Branding Design around the World.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFeatures interviews in English and Japanese with FISK, Kokoro \u0026amp; Moi, CEKAI, STUDIO NA.EO, eyen design, Seachange, Bureau Borsche. With essays by Paul Bennett (IDEO) \u0026amp; Nicholas Bell (AUFI), and more!\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrom the intro:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“Today, society has matured, and companies and designers are finding it difficult to differentiate products and services from the abundance of those on the market simply by offering products with high functionality and quality or beautiful forms. Therefore, how to design user experience will be increasingly required as a role of the designers. One of the places to practice design for this purpose is in the field of branding design, which is the subject of this feature.”\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDirection by Idea\u2028Design by LABORATORIES (Kensaku Kato, Megumi Moriya)\u2028Cooperation with Saki Ho, Min-Young Kim\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e","brand":"Idea Magazine","offers":[{"title":"Default Title","offer_id":40481620328502,"sku":"Idea-Mag-399","price":30.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0175\/3484\/4982\/products\/FISK22_IDEA399_1_Grey_4x5_94b2369f-c6b5-4d8b-a0ff-08b657c3468f.jpg?v=1673027784"},{"product_id":"file-under-slime","title":"File Under: Slime","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSoftcover with French flaps, approx. 260 pages\u003cbr data-mce-fragment=\"1\"\u003e5.8 in. x 8.3 in. | 14.732 cm. x 21.082 cm.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhat is slime? We are well acquainted with its qualities in conjunction with certain things from which we tend to recoil but to which we are also at times fervently attracted. Despite being everywhere, slime is a surprisingly unexamined cultural phenomenon. \u003cem data-mce-fragment=\"1\"\u003eFile Under: Slime\u003c\/em\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003ecollates a cultural history of “slime” and “sliminess,” with particular emphasis on precedents in pop-culture, contemporary art, ecology, \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003escience fiction, literature, critical theory, and cinema.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eArtist and professor Christopher Michlig’s research characterizes slime as a pervasive, oozing, cultural phenomenon, documenting instances of its evolving representations, ranging from philosopher Jean Paul Sartre’s meditation on the aberrant substance in his 1943 work \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eBeing and Nothingness\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e, to the cooptation of it as a ubiquitous visual and cinematic trope referencing the grotesque, transgressive, and paranormal.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe appearance of slime in such films as \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eThe Blob\u003c\/em\u003e, \u003cem data-mce-fragment=\"1\"\u003eGhostbusters\u003c\/em\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e, and \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003ePoltergeist\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003eare diligently and humorously analyzed, commercial and graphic design precedents are incorporated, and the work of such artists as Lynda Benglis, Cindy Sherman, Robert Smithson, Sterling Ruby, and Jason Rhoades are connected within a broad mesh of corollary \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eexamples emphasizing the dynamic and elastic visual signifi\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003ecation of slime.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlongside a multitude of visual references, \u003cem data-mce-fragment=\"1\"\u003eFile Under:\u003c\/em\u003e\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e Slime\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003eis supplemented with literary and theoretical references from such writers as Jean Paul Sartre, Julia Kristeva, Mike Kelley, Rosalind Krauss, Laura Mulvey, Georges Bataille, and others. Michlig’s analysis ultimately tracks slime as a recurring cultural topos. There is a pointedly philosophical side to his project in that it orbits intently around that which is most aporetic. If slime can be readily deployed as a foil for thinking about thinking, which would have to be the ultimate aim of philosophy, it is entirely due to its objective-empirical faults. 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Gates’s approach to redeeming and sacralizing space as place lays the groundwork for a multitude of other interviews, essays, and interventions that address how we make place from spatial experiences. As always, we welcomed perspectives from contributors of varying backgrounds, interests, and disciplines, and it is our hope that this investigation will help us all think about place in ways both new and old.\u003c\/p\u003e\n\u003cp\u003eThe contributors to our fourth issue include:\u003cbr\u003e\u003cbr\u003eAcacia Rodriguez, Alexis Aceves Garcia, Alice Grandoit-Šutka, Annika Hansteen-Izora, Cara Page, Cherry-Ann Davis, Cory Kamehanaokalā Holt Taum, Daleen Saah, Doreen Chan, Femi Adeyemi, Guarionex Rodriguez, Jr., Isabel Flower, jah elyse sayers, Jorge Vallecillos, Jun Lin, Lizania Cruz, Marquise Stillwell, Melody Timothee, Mycelium Youth Network, Nolis Anderson, Nu Goteh, Ollie Olanipekun, Prentis Hemphill, Ramsay Taum, Ruth Gebreyesus, Sara Pooley, Sara Zewde, Sasha Costanza-Chock, Shirt, Tamika Abaka-Wood, Theaster Gates, Toni L. 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CASSIDY GEORGE scales the Witchtower to decipher Drain Gang’s auto-tuned iconology, and decode a lexicon looted from the Reddit abyss.\u003cbr\u003e\u003cbr\u003eOn a separate odyssey, KIM KARDASHIAN escapes Hollywood with COLLIER SCHORR and RAS BARTRAM to a realm cohabited by Rainer Werner Fassbinder, the Brothers Grimm, and a miniature replica of herself. HUNTER SCHAFER shows JASON NOCITO and JORDAN RICHMAN how to take control of the storyline, and ANSELM KIEFER welcomes JUERGEN TELLER and SVEN MICHAELSEN into his world built from the rubble of empire. Berlin rap prince UFO361 gives MATT LAMBERT and SASCHA EHLERT a tour of the nine circles of Kreuzberg, and 070 SHAKE disappears into a pyrotechnic fog for ERIC JOHNSON, sharing her nesting doll theory of the universe with SAMUEL HYLAND. Cinematic sage WERNER HERZOG commands PETER KÖRTE – and the rest of us – to bring the world to its knees, and SHUMON BASAR eulogizes his life-long spiritual guide: JEAN-LUC GODARD. Out in cyberspace, video game creator HIDEO KOJIMA 3D-scans ERROLSON HUGH, then casts him as a player in a bespoke virtual sandbox. 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Ecological practices in architecture must not only be effective in providing solutions, but inevitably raise questions of beauty, affection and perception as well.\u003c\/p\u003e","brand":"Oase","offers":[{"title":"Default Title","offer_id":44550049890626,"sku":"","price":32.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0175\/3484\/4982\/files\/OASE_112.jpg?v=1702673279"},{"product_id":"i-got-something-to-say-poster-inventory-2013-2021","title":"I Got Something to Say — Poster Inventory, 2013–2021","description":"Texts by Jason Alejandro, Somnath Bhatt, Elias Chen, Ryan Diaz, Everett Epstein, Zak Jensen, Ian Lynam, Vaishnavi Mahendran, Anna Sagström, Christopher Sleboda, Kathleen Sleboda, and Mary Yang.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAn inventory of posters produced by Draw Down Books for art book fairs, workshops, and lectures between 2013 and 2021. Documenting Draw Down's activities throughout the period, the publication also graphically maps the contours of the artist book publishing world during the second decade of the 21st century. A series of reflections and essays by prominent graphic designers provides context and insights, providing readers with new ways of considering their own poster-making and event documentation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDesigned by Christopher Sleboda and Kathleen Sleboda\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePublished by Draw Down\u003cbr data-mce-fragment=\"1\"\u003eFirst edition, 2022\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSoftcover, 160 pages, with Swiss binding and lay-flat cover, 1-color offset printing, 5 × 7.5 inches","brand":"Draw Down","offers":[{"title":"Default Title","offer_id":44550295355714,"sku":"","price":30.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0175\/3484\/4982\/products\/FISK23_I_Got_Something.jpg?v=1676593167"},{"product_id":"hypebeast-31","title":"Hypebeast 31","description":"\u003cp\u003eHypebeast Magazine Issue 31: The Circle Issue \u003c\/p\u003e\n\u003cp\u003eThis Circle Issue explores the range of diverse and unique communities held together by shared interests, hobbies, style and often times a distinct POV.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eFor this issue, we traverse the globe to dig into both established and up-and-coming individuals, collectives and brands who have created a space for themselves and surrounded it with like-minded individuals whether that be close friends, collaborators or just fans who identify with what they do.\u003cbr\u003e\u003cbr\u003eFeature interview with five members of MSCHF, graffiti artist KATSU, photographer Nadia Lee Cohen, and digital furniture designer Muddycap. Also include exclusive stories with Hypebeast 100 awardees, such as KIDSUPER, Julian Klincewicz, and Kyle Ng’s Brain Dead.\u003cbr\u003e\u003cbr\u003eAlso featuring FISK Founder Bijan Berahimi. \u003c\/p\u003e","brand":"Hypebeast","offers":[{"title":"Default Title","offer_id":45029935448386,"sku":"FISK-Hypebeast-31","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0175\/3484\/4982\/files\/FISK23_Hypebeast31_Web_b85863d8-0503-4482-92f6-035b21a18068.jpg?v=1682636677"}],"url":"https:\/\/fisk-store.myshopify.com\/collections\/book.oembed","provider":"FISK, Inc.","version":"1.0","type":"link"}